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Track every fright, settle every debate, and find your next sleepless night.
The Letterboxd for Horror
Rate. Review. Get haunted, together.
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Friday. The house picked something loud.
“Grace is a woman who lives in an old house kept dark because her two children, Anne and Nicholas, have a rare sensitivity to light. When the family begins to suspect the house is haunted, Grace fights to protect her children at any cost in the face of strange events and disturbing visions.”
The Daily Dread
Guess tonight's mystery film from five clues.
Curated descents
by Dewey Marks · 14 films · 4
by Constance Reyes · 14 films · 4
by Bram "Butcher" Kowalski · 14 films · 6
by The Penitent · 16 films · 0
by The Hagstone · 16 films · 0
by qwerty · 20 films · 2
From the community
“ok so the hallway thing genuinely made my whole body clench up like i was bracing for a car crash, and then the rest of the movie is two old men whispering about horrible stuff in dark rooms and i cannot lie i kept checking how much was left. brad dourif doing those monologues is the best thing i've seen all month, george c scott looks like he wants to fistfight god the entire runtime, and when they're in a room together it rules... but then the last stretch kicks in and it feels like a completely different, dumber movie barged in and started yelling. i wanted to love this the way everyone on here loves it and instead i just love like four minutes of it very very much. worth it for the nurse alone though, i'll defend that to my grave”
“natalie grace doing the reptilian tongue thing put my whole nervous system in rigor mortis, and that plane crash is filmed like nobody was supposed to be watching”
“greta lee and wagner moura fully committing to a script that keeps forgetting what movie it wants to be. it's 2020 but wet”
“the roman holiday projector scene in the woods is doing all the heavy lifting and honestly? it lifted”
“okay so everyone wanted this to be M3GAN doing a little dance and instead kate dolan made a sad quiet movie about a man who cannot let go and honestly? i was into it. lily sullivan is doing SO much with basically her whole body held perfectly still, that flat programmed sweetness that keeps almost cracking, i couldn't look away. yeah the middle stretch drags and david rysdahl mopes around the house for a while but the mopey lonely widower energy is kind of the point, this is grief cosplaying as an erotic thriller and i respect the audacity. is it as fun as a killer doll? no. did i sit there getting genuinely uneasy watching a machine learn what it means to want something. also yes. everyone comparing it to companion can go outside, this one wants to make you sad first and i think that's cunty of it”
