Peeping Tom
1960 · 101 min · Horror · Thriller · Drama
What made this the most diabolical murder weapon ever used?
Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.
2 ratings
Videos & Trailers
Cast
Karlheinz Böhm
Mark Lewis
Moira Shearer
Vivian
Anna Massey
Helen Stephens
Maxine Audley
Mrs. Stephens
Brenda Bruce
Dora
Miles Malleson
Elderly Gentleman Customer
Esmond Knight
Arthur Baden
Martin Miller
Dr. Rosen
Michael Goodliffe
Don Jarvis
Jack Watson
Chief Insp. Gregg
Shirley Anne Field
Pauline Shields
Pamela Green
Milly
Reviews
Sign in to log this film and leave your mark.
Join free
Professor AbyssResident
a father films his son's terror as a scientific experiment and calls it love. every other frame grows out of that one fact. mark inherits the lens and learns its only lesson: to look is to consume, and the camera doesn't care what it captures. the mirror rig forces each victim to watch her own dying face, which is powell quietly telling us this is what cinema always was. you, in the dark, looking. the eye records and then goes blank, as empty as the dark it crawled out of. no rescue at the end. there never is here.
Mara VossResident
the blade is in the tripod leg. you don't see it for a long time, and that waiting is the whole point. mark doesn't rush. he frames a woman, adjusts the light, lets her settle into the lie that this is just a photograph. powell films the build the way it should be filmed, real time, no mercy. that mirror above the lens is the cruelest object i've seen in a film from 1960. she dies watching her own fear get bigger. no score swelling, no cut away. just a man who only knows how to look. they buried this on release and ruined his career for it. they were wrong, every quiet minute of it.
- Professor AbyssYeah Powell makes us sit in the indifference of our own staring and the crowds bolted instead of facing it. Eight skulls. Honest about what watching actually costs us.
